字画:沈荃款加官俸禄
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面议
沈荃(1624~1684),字贞蕤,号绎堂,别号充斋,华亭(今上海松江)人。顺治九年探花,授编修,累官至翰林院侍读学士、礼部侍郎,卒谥文恪。学行醇洁,书法尤有名。他工书法,宗法米芾、董其昌,是康熙年间重要的书法家之一。清顺治九年(1652年)探花,授编修,累官詹事府詹事、翰林院侍读学士、礼部侍郎。卒谥文恪。著有《充斋集》行世。为人经述深湛,喜奖拔后进,颇为时重。工书法,宗法米、董二家,深得康熙帝赏识,尝召至内廷论书,“凡御制碑版及殿廷屏障御座箴铭,辄命公书之。”(方苞《望溪集外文》)为康熙帝书法代笔人之一。《江南通志》评:“荃学行醇洁,书法尤推步。
沈荃的书法对康熙皇帝影响很大,常指导康熙皇帝学书。每侍帝书,下笔即指其弊,兼析其由。深得康熙帝赏识,尝召至内廷论书,“凡御制碑版及殿廷屏障御座箴铭,辄命公书之。”(方苞《望溪集外文》)为康熙帝书法代笔人之一。《江南通志》评:“荃学行醇洁,书法尤推步。”康熙深嘉其忠益,所赐御书、凤管、貂裘、文绮、茗馔之属,不计其数,因此名震天下,甚而与赵孟頫、董其昌相埒。当时以能求到其书为荣。
沈荃款加官俸禄:长:120cm宽:60cm 鹿被成为仙兽,大概是因为鹿的性格特征和道家所追求的隐士精神相契合。鹿幽居山林,逐食良草,安于自然,具有恬净无为的道家气息。所以,古代隐士以戴梅花鹿皮帽为身份、、修身养性的象征, 鹿身绘山水鹿苑,山峦起伏,溪流回环,花草争艳,鹿玩耍于山石林间,鹿回首张望,鹿追赶鸣叫,或是鹿在苍松林中奔跑,在草莽间漫步,或卧于草地上嬉戏,或立于山石上踟蹰。鹿与禄同音,是官“禄”的象征。仙鹤在古代是“一鸟之下,万鸟之上”,仅次于凤凰的“一品鸟”,明清一品官吏的官服编织的图案就是“仙鹤”。同时鹤因为仙风道骨,为羽族之长,自古被称为「一品鸟」,寓意。一品是古代高官阶的名称,皇帝以下文武百官共分九级,一品高。仙鹤也是鸟类中的一种鸟,代表、富贵。传说它享有几千年的寿命. 仙鹤立,翘首远望,姿态优美,色彩不艳不娇,高雅大方。在中国古代传说中,鹿与鹤是保护灵芝仙草的神物。传说中的很多神仙的坐骑也是鹿或鹤。古人经常把鹿和鹤放在一起象征“双份”的福禄吉祥,“鹿鹤同春”,表示“”“永葆青春”之意
随着人们生涯水平和文化素质的一直提高,向来为文人雅士所喜欢的古玩、字画等藏品,越来越多地走进寻常黎民家,我国各地古玩文物交易也日趋红火。古玩又称骨董,其内容应有尽有,五花八门,陶瓷、奇石、玉器、铜器、字画、票据、老旧家具、今古钱币、竹木根雕、古旧书籍、日用物品……总而言之,凡今天以前的工具,只要你以为有意思收而藏之的,似乎都叫古玩,没有一个特此外界说。茶 余 饭 后,闲暇时节,或自一人,或邀上三两知己挚友,细细把玩品评,便可使人恍然间似乎穿越了时空,遨游于岁月长河中。
艺术品投资在当下,既充满机遇,又存在各种风险,如果想要全面的投资艺术品,就一定对艺术品投资有充分的认识。从行业属性来看,艺术投资如果把投资周期拉长,那么相对于其它投资项目而言,艺术品投资更安全,增值效果更明显。
以下是沈荃作品近年的成交记录:
藏•荐】栏目借助深圳博衡国际交易平台强大的传播效应,向各位买家推荐经过故宫博物馆多名甄选的艺术,
已经为出手卖家及置购买家牵线搭桥,
让千百件艺术珍品的价值都被发掘与重视并得以在交易中兑现。
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Shen Yu (1624 ~ 1684), the word 贞蕤, the number of ancestral hall, the other number of fasting, Huating (now Shanghai Songjiang) people. Shunzhi spent nine years exploring flowers, editing and editing, and tired of the official to the Hanlin Academy, a bachelor's degree, a clerk, and a literary clerk. The school is well-prepared and calligraphy is especially famous. His calligraphy, Zongfa Miyin and Dong Qichang, was one of the most important calligraphers of Kangxi. In the 9th year of Qing Shunzhi (1652), he explored flowers, edited and edited, and was tired of the official affairs of Zhan Shifu, the Hanlin Academy, and the ceremonial minister. Graduated from the literature. I am the author of "Fu Zhai Ji". It’s quite time-honored to be praised and praised. Gong calligraphy, Zong Fa Mi, Dong Erjia, won the appreciation of Emperor Kangxi, and appealed to the inner court to discuss the book, "Where the royal stone tablet and the court barrier Yuzhan Ming, the commander of the commandment." "Foreign Foreign Languages" is one of the calligraphy writers of Emperor Kangxi. "Jiangnan Tongzhi" comment: "Yu Xuexing is clean and clean, and calligraphy is particularly strong.
The indulgent calligraphy has a great influence on Emperor Kangxi and often guides Emperor Kangxi to study books. Every visitor's book, the pen down refers to its disadvantages, and analyzes its causes. Deeply praised by Emperor Kangxi, he was summoned to the inner court to write a book, "Where the royal stone tablet and the imperial barrier 御 箴 辄 辄 辄 辄 辄 辄 辄 辄 辄 辄 辄 ” ” ” ” ” ” ” ” ” ” ” ” ” ” ” ” ” ” ” ” ” ” ” ” one. "Jiangnan Tongzhi" comment: "The school is clean and mellow, and calligraphy is particularly unique." Kangxi Shenjia is loyal, and he is given the royal family, the phoenix, the scorpion, the literary genus, the genus, and countless. Therefore, the name is shocking, even with Zhao Mengfu and Dong Qichang. At that time, I was proud to be able to ask for his book.
Sinking and Adding Officials: Long: 120cm Width: 60cm The deer has become a fairy, probably because the character of the deer is compatible with the spirit of the hermit pursued by Taoism. The deer secluded in the mountain forest, ate the grass, and settled in nature, with a clean and innocent Taoist atmosphere. Therefore, the ancient hermits used Daimei sika as the symbol of identity, authority, and self-cultivation. The deer body painted the landscape of the deer, the mountains and the undulating, the streams and the loops, the flowers and plants vie for beauty, the deer playing in the mountains and the forests, the deer looking back, the deer chasing the tweets, or It is the deer running in the pine forest, walking between the grass, or lying on the grass, or standing on the rock. Deer and Lu are the same symbol, which is the symbol of the official "Lu". In ancient times, the crane was "under one bird, above the million birds", second only to the "one bird" of the phoenix. The pattern of the official dress of the Ming and Qing dynasties was "the crane". At the same time, the crane is the longest feather of the sacred wind. It has been called the "one bird" since ancient times. One product is the name of the highest official rank in ancient times. The Emperor's civil and military officials are divided into nine grades, the highest grade. The crane is also the most expensive bird in the bird, representing longevity and wealth. Legend has it that it has a life span of thousands of years. The crane is independent, looks forward, looks beautiful, the color is not beautiful, elegant, generous. In ancient Chinese legends, deer and cranes are the gods that protect the ganoderma lucidum. Many of the legendary mounts of the gods are also deer or cranes. The ancients often put deer and crane together to symbolize the "double" of the Fulu auspicious, "Luhe Tongchun", meaning "longevity and longevity" and "forever youth"
With the improvement of people's career level and cultural quality, the collections of antiques, calligraphy and paintings that have always been favored by literati are increasingly coming into the ordinary people's homes. The antiques and cultural relics transactions in China are also booming. Antiques, also known as the bones, have everything, everything, ceramics, stones, jade, bronzes, calligraphy, bills, old furniture, ancient coins, bamboo root carvings, old books, household items... all in all, before today Tools, as long as you think that you are interested in collecting and hiding, it seems to be called antiques, no one is hereby said. After the meal, during the leisure time, or alone, or invited three friends and friends, and carefully play the evaluation, you can seem to travel through time and space, and travel in the long river.
Art investment is in the present, full of opportunities, and various risks. If you want to invest in art in a comprehensive way, you must have a full understanding of art investment. From the perspective of industry attributes, if art investment lengthens the investment cycle, then art investment is safer and value-added is more obvious than other investment projects.
The following is the transaction record of Shen Yu's works in recent years:
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