雍正珐琅彩黄地兰石图碗——国枰拍卖征集
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<p style="margin-top: 16px; margin-bottom: 16px; padding: 0px; max-width: ; box-sizing: border-box; clear: both; min-height: 1em; letter-spacing: 0.4352px; white-space: normal; -webkit-tap-highlight-color: transparent; color: rgb(34, 34, 34); font-family: "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei", "WenQuanYi Micro Hei", "Helvetica Neue", Arial, sans-serif; background-color: rgb(255, 255, 255); overflow-wrap: break-word !important; text-align: left;"></p><p style="text-align: center;"><img src="" title="72877.jpg" alt="图片_23.jpg"/></p><p></p><p style="margin-top: 16px; margin-bottom: 16px; padding: 0px; max-width: ; box-sizing: border-box; clear: both; min-height: 1em; letter-spacing: 0.4352px; white-space: normal; -webkit-tap-highlight-color: transparent; color: rgb(34, 34, 34); font-family: "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei", "WenQuanYi Micro Hei", "Helvetica Neue", Arial, sans-serif; background-color: rgb(255, 255, 255); overflow-wrap: break-word !important; text-align: left;">雍正皇帝文采风流，诗书双绝，按他的喜好与品位设计的珐琅彩瓷器中诗、书、画、印四绝成为雍正年瓷器的一大亮点。 在纹样上，由于雍正皇帝倡导“内廷恭造式样”，并亲自提出“秀雅”“细致”的要求，唐岱、戴恒、贺金昆、汤振基及郎士宁等宫廷画家为画珐琅器制作样稿。无论是满饰人物、花鸟、山水纹样的器皿，还是装饰有诗、书、画、印四种组合的器皿，无不美轮美奂。</p><p style="margin-top: 16px; margin-bottom: 16px; padding: 0px; max-width: ; box-sizing: border-box; clear: both; min-height: 1em; letter-spacing: 0.4352px; white-space: normal; -webkit-tap-highlight-color: transparent; color: rgb(34, 34, 34); font-family: "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei", "WenQuanYi Micro Hei", "Helvetica Neue", Arial, sans-serif; background-color: rgb(255, 255, 255); overflow-wrap: break-word !important; text-align: left;"><img src="" title="87495.jpg" alt="图片_27.jpg"/></p><p style="text-align: center;"><span style="background-color: rgb(255, 255, 255); color: rgb(34, 34, 34); font-family: "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei", "WenQuanYi Micro Hei", "Helvetica Neue", Arial, sans-serif; letter-spacing: 0.4352px; text-align: left;">此碗撇口、弧壁、圈足内施白釉，外壁黄釉地上绘洞石兰花图，雍正时期的花鸟比康熙时的花鸟有过之而无不及，雍正的花鸟表现力丰富细腻，花鸟之间彰显灵动，且活灵活现，相得益彰。</span></p><p style="margin-top: 16px; margin-bottom: 16px; padding: 0px; max-width: ; box-sizing: border-box; clear: both; min-height: 1em; letter-spacing: 0.4352px; white-space: normal; -webkit-tap-highlight-color: transparent; color: rgb(34, 34, 34); font-family: "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei", "WenQuanYi Micro Hei", "Helvetica Neue", Arial, sans-serif; background-color: rgb(255, 255, 255); overflow-wrap: break-word !important; text-align: left;"></p><p style="text-align: center;"><img src="" title="42657.jpg" alt="图片_20.jpg"/></p><p></p><p style="margin-top: 16px; margin-bottom: 16px; padding: 0px; max-width: ; box-sizing: border-box; clear: both; min-height: 1em; letter-spacing: 0.4352px; white-space: normal; -webkit-tap-highlight-color: transparent; color: rgb(34, 34, 34); font-family: "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei", "WenQuanYi Micro Hei", "Helvetica Neue", Arial, sans-serif; background-color: rgb(255, 255, 255); overflow-wrap: break-word !important; text-align: left;">画面对侧以墨彩题写：“云深琼岛开仙径，春暖芝兰花自香”，此诗出自明代诗人、大学者叶子奇之《塘上闻兰香》诗句。上落款“佳丽”篆印，下落“金成”“旭映”二篆印，共三枚均为胭脂红彩，诗句笔墨浓淡、笔画轻重，自然流畅，字体娟秀灵动，与器物的绘画相得益彰。足内施白釉，底书“雍正年制”四字双行楷体，双框蓝料款。</p><p style="margin-top: 16px; margin-bottom: 16px; padding: 0px; max-width: ; box-sizing: border-box; clear: both; min-height: 1em; letter-spacing: 0.4352px; white-space: normal; -webkit-tap-highlight-color: transparent; color: rgb(34, 34, 34); font-family: "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei", "WenQuanYi Micro Hei", "Helvetica Neue", Arial, sans-serif; background-color: rgb(255, 255, 255); overflow-wrap: break-word !important; text-align: left;"></p><p style="text-align: center;"><img src="" title="41058.jpg" alt="图片_23.jpg"/></p><p></p><p style="margin-top: 16px; margin-bottom: 16px; padding: 0px; max-width: ; box-sizing: border-box; clear: both; min-height: 1em; letter-spacing: 0.4352px; white-space: normal; -webkit-tap-highlight-color: transparent; color: rgb(34, 34, 34); font-family: "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei", "WenQuanYi Micro Hei", "Helvetica Neue", Arial, sans-serif; background-color: rgb(255, 255, 255); overflow-wrap: break-word !important; text-align: left;">纵观整图，雍正时虽沿袭了康熙时在色地上绘画之特征，但一改康熙时之花卉为主的风格，增添了山石、兰草等图案，并有花鸟题材的作品出现，再配以诗文，印章等图案，彰显出文雅的审美趣味。此碗与现今故宫博物馆馆藏、台北国立故宫博物院官瓷是同类藏品。</p><p style="margin-top: 16px; margin-bottom: 16px; padding: 0px; max-width: ; box-sizing: border-box; clear: both; min-height: 1em; letter-spacing: 0.4352px; white-space: normal; -webkit-tap-highlight-color: transparent; color: rgb(34, 34, 34); font-family: "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei", "WenQuanYi Micro Hei", "Helvetica Neue", Arial, sans-serif; background-color: rgb(255, 255, 255); overflow-wrap: break-word !important; text-align: left;"></p><p style="text-align: center;"><img src="" title="58440.jpg" alt="图片_26.jpg"/></p><p><br/></p>