作品名：青花崔戎捧靴图笔筒

作品名：青花崔戎捧靴图笔筒

Name of work: blue and white drawing pen holder of cui rong's boots

尺　寸：高21cm

Size: 21cm high

编　号：3053

Number: 3053

阐明：

笔筒造型规则，直腹平底，口底相若。外壁罩施白釉，其上以青花绘崔戎捧靴图，其典出《新唐书》：崔戎，字可大，玄暐从孙也。……云南蛮乱成都，诏戎持节剑南为宣抚使。奏罢税外姜芋钱；当赋钱者率三之，以其一准缯布，优其估以与民；绥招流亡。凡废若置，公私莫不方便之。还拜给事中。出为华州刺史。吏以故事置钱万缗为刺史私用，戎不取。及去，召吏曰：籍所置钱享军，吾重矫激以夸后人也。徙兖海沂密观察使，民拥留于道不得行，乃休传舍，民至抱持取其靴。时诏使尚在，民泣诣使，请白皇帝丐戎还，使许诺。戎恚责其下，众曰：‘留公而皇帝怒，不过斩吾二三白叟，则公不去矣。’戎夜单骑亡去，民追不及乃止。因崔戎为官清廉，政绩斐然，调任之时，百姓脱下他的鞋子阻挠他离开，本品即通景式体现的此画面。

null

画面主体为坐于帐前的崔戎，士官及将士立于左右，面前众人跪于地，一人手持托盘捧官靴，其余或做伏地状，比较醒目的是三个凭借老翁，跪姿的一起可见一手举高做阻止的状况，并三两做攀谈之姿，正合《新唐书》中：留公而皇帝怒，不过斩吾二三白叟，则公不去矣这段对白。画面中人物神态各得，高明熟练的绘画技巧将人物形象体现的栩栩如生，其面部表情，身姿动态，甚至衣褶折迭错落之处尤见功力。

null

来源：

伦敦苏富比，2011年11月9日，Lot175

Clarify:

penholder modeling rules, straight belly flat, similar to the bottom of the mouth. On the outer wall, we will have white glaze, on which will be blue and white painted boots. ... Yunnan pretty disorderly chengdu, zhao rong hold festival jiannan xuanfushi. Play tax money outside ginger taro; When the giver of money rate three, to one of its quasi, its valuation with the people; A plea for exile. Where waste if buy, public and private all inconvenient. Give me what I need. It is the history of China. The official to the story of qian min for a private use, rong do not take. And go, call the official yue: by the purchase of money to enjoy the army, I re-exciting to boast later generations also. He was an observer of the city of yanhai. The people kept their boots on the road and could not go there.

null

When the zhao is still in, people cry attainments, please white emperor gai rong also, make a promise. Dijon below, does the yue: "keep public anger and emperor, but cut my secondary and tertiary or aged, the public not to go. When night falls, I ride alone to my death. Because cui rong is official honest, the achievement is outstanding, when transfer, the common people takes off his shoe to obstruct him to leave, this article namely the picture that the style of general view reflects.

Frame subject to sit in the tent Cui Rong, noncommissioned officers and soldiers in the left and right sides, before the people kneel to the ground, a man holding a tray with officer of boots, the rest or do the shape, more striking is the three with the old man, kneeling position of visible held up a hand to do to prevent the situation together, and do talk of three two, just in the new tang book: leave public anger and emperor, but cut my secondary and tertiary or aged, and do not go to this dialogue. In the picture the character's manner each get, the masterly skilled drawing skill will the character image manifestation lifelike, its facial expression, the body posture movement, even the clothes pleats and folds at random place especially sees the function.

Source:

sotheby's London, November 9, 2011, Lot175