朱宣咸的字画值得收藏吗

竹石图

款识：朱宣咸
规格：长：66cm 宽：45cm
这是一幅画。着力表现了竹子那顽强而又执着的品质，托岩竹的坚韧顽强，言自己刚正不阿、正直不屈、铁骨铮铮的骨气。不管风吹雨打，任凭霜寒雪冻，苍翠的青竹仍然“坚劲”，傲然挺立。“千磨万击”、“东南西北风”，极言考验之严酷。这首诗借物喻人，通过立根破岩中的劲竹，含蓄地表达了自己绝不随波逐流的高尚的思想情操。全诗语言质朴，寓意深刻。
This is a picture. Focus on the performance of the bamboo that stubborn and persistent quality, support the rock bamboo's tenacity and tenacity, speak of their integrity, integrity, iron clang bone. Regardless of the wind and rain, frost and snow, the green bamboo is still "strong" and proudly upright. "Thousand blows and ten thousand strikes" and "southeast and northwest wind" are extremely harsh. This poem is a metaphor for human beings. It implicitly expresses his noble ideological sentiment that he will never drift with the tide through the strong bamboo roots in the rock. The poetry of the whole poem is simple and profound.
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朱宣咸(1927年浙江台州——2002年重庆)，又名：浙人。的中国画画家、中国新兴木刻版画家、漫画家与美术活动家，20世纪中期与后期我国美术事业的开拓者之一。
1940年代，由浙江到上海，投身海上艺术、鲁迅新兴木刻版画、以作品为武器战斗在抗日战争的，是早期上海美术与浙江美术的代表之一。1949年底到重庆，是1949年后四川美术与重庆美术的奠基人之一。在中国画、中国新兴木刻版画、漫画等领域。
20世纪40年代初起从事中国画、中国新兴木刻版画与时政漫画。由浙江到上海，直接投身海上画派、鲁迅新兴木刻，以及在抗战一线的“沦陷区”以作品为武器进行战斗。
.朱宣咸艺术回顾展
艺术精神
朱宣咸的艺术之路是由投枪匕首而到纯美艺术，毕生彰显了对真、善、美理想不懈追求与讴歌的艺术精神。
丹青岁月——朱宣咸中国画作品展.
艺术风貌
大半个世纪以来，朱宣咸对中西绘画、传统与现代美术孜孜不倦的探索，在中国画中融入西方艺术的元素，在版画、漫画等西画中赋予写意等中国画修养。在深厚遒劲的传统功力基础上，师传统而不泥古，充满新意、充满生机、充满清新的气息与积极向上之朝气。形成了中西绘画相结合、传统与现代相交融的艺术成就。
创作了一大批洋溢着鲜明时代感、社会性、学术性、艺术多元性、系统完整性与文献价值的中国画、中国新兴木刻版画、时政漫画、水彩画、水粉画、插画、连环画等作品。
朱宣咸 (1927年浙江——2002年重庆)
展览与出版
1944年起，朱宣咸创作了不少作品发表于当时上海、浙江的各报刊，并参加一系列进步美术展览与进步美术运动。1949年后，作品入选一系列重要展览与美展，被中国美术馆等收藏，多部大型文献和美术辞书收录，主要媒体专题评论，发表上千次。
先后在香港、重庆、浙江、上海等举办“朱宣咸作品展”、“朱宣咸从艺五十五年画展”、“世纪回眸——朱宣咸作品故乡行邀请展”、“清气•朱宣咸中国画、版画小品展”、“朱宣咸画展”、“朱宣咸艺术展、“朱宣咸艺术回顾展”、“丹青岁月——朱宣咸中国画作品展”等个人画展。
出版《朱宣咸作品选》、《朱宣咸花鸟画选辑》、《朱宣咸木刻版画集》、《朱宣咸风景木刻版画选辑》、《朱宣咸漫画》、《艺术常青——美术家朱宣咸》、《朱宣咸美术作品选》等多个画种的个人画集。

朱宣咸中国画《红雪图》 ,1991年

在中国早介入现代艺术的那一批人

早期上海美术与浙江美术的代表之一

20世纪上半叶，作为在中国早介入现代艺术的那一批人，朱宣咸由浙江到上海，投身海上艺术、鲁迅新兴木刻版画、以作品为武器战斗在了抗日战争沦陷区。1946年加入全国美协，创作了大量作品，是早期上海美术与浙江美术的代表之一。
Zhu Xuanxian (1927 Zhejiang Taizhou - 2002 Chongqing), also known as: Zhejiang people. Outstanding Chinese painters, Chinese new woodcut printmakers, cartoonists and art activists, in the middle and late 20th century, one of the pioneers of China's art career.
In the 1940s, from Zhejiang to Shanghai, he devoted himself to marine art, Lu Xun's new woodcut prints and his works as weapons in the forefront of the War of Resistance Against Japan. He was one of the representatives of early Shanghai art and Zhejiang art. Arriving in Chongqing at the end of 1949 was one of the founders of Sichuan fine arts and Chongqing fine arts after 1949. In the field of Chinese painting, China's new woodcut prints, caricatures and other fields, it has made great achievements.
Since the beginning of 1940s, he has been engaged in Chinese painting, new woodcut prints and political cartoons in China. From Zhejiang to Shanghai, he plunged directly into the marine school of painting, Lu Xun's new woodcut, and fought with his works in the "occupied areas" on the front line of the Anti-Japanese War.
Zhu Xuanxian art retrospective exhibition
Artistic spirit
Zhu Xuanxian's artistic road is from throwing a gun and dagger to pure and beautiful art, which shows the artistic spirit of unremitting pursuit and praise of the ideal of truth, goodness and beauty all his life.
Zhu Xuanxian's exhibition of Chinese paintings.
Artistic features
For more than half a century, Zhu Xuanxian has made unremitting efforts to explore Chinese and Western painting, traditional and modern art, blending elements of Western art into Chinese painting, and endowing freehand brushwork and other Chinese paintings with Western prints and cartoons. On the basis of profound and vigorous traditional ability, we should learn from tradition without being old-fashioned, full of creativity, vitality, fresh breath and positive spirit. It has formed the artistic achievements of the combination of Chinese and Western painting and the integration of tradition and modernity.
He has created a large number of works, such as Chinese paintings, Chinese new woodcut prints, current political cartoons, watercolors, gouache, illustrations and comics, which are full of distinct sense of the times, social, academic, artistic pluralism, systematic integrity and documentary value.
Zhu Xuanxian (1927 Zhejiang - 2002 Chongqing)
Exhibition and publication
Since 1944, Zhu Xuanxian has published many works in newspapers and periodicals in Shanghai and Zhejiang, and participated in a series of progressive art exhibitions and progressive art movements. Since 1949, his works have been selected into a series of important exhibitions and national art exhibitions, collected by the Chinese Art Museum and other large-scale literature and art dictionaries, and published thousands of times in major media commentaries.
"Zhu Xuanxian's Works Exhibition", "Zhu Xuanxian's Fifty-Five-Year Art Exhibition", "Century Retrospect--Invitation Exhibition of Zhu Xuanxian's Works Hometown", "Qingqi-Zhu Xuanxian's Chinese Painting, Printmaking Exhibition", "Zhu Xuanxian's Painting Exhibition", "Zhu Xuanxian's Art Exhibition", "Zhu Xuanxian's Art Exhibition", "Zhu Xuanxia The exhibition of personal art exhibition, such as "retrospective exhibition" and "Dan Qing years" - Zhu Xuanxian's exhibition of Chinese paintings.
Publishing Zhu Xuanxian's Selected Works, Zhu Xuanxian's Selected Paintings of Flowers and Birds, Zhu Xuanxian's Collection of Woodblock Prints, Zhu Xuanxian's Selected Landscape Woodblock Prints, Zhu Xuanxian's Comics, Zhu Xuanxian's Evergreen Art - Artist Zhu Xuanxian, Zhu Xuanxian's Selected Works of Art and so on.
Zhu Xuanxian's Chinese painting "red snow map", 1991
The first group of people involved in modern art in China.
One of the representatives of early Shanghai art and Zhejiang Fine Arts
In the first half of the 20th century, Zhu Xuanxian, as the earliest group of people in China to intervene in modern art, from Zhejiang to Shanghai, devoted himself to marine art, Lu Xun's new woodcut prints and works as weapons to fight in the frontier of the occupied areas of the Anti-Japanese War. In 1946, he joined the National Art Association of China and created a large number of works. He was one of the representatives of early Shanghai art and Zhejiang art.


现代人，创作水平虽然没有古代人那么高，但是创作的工具，都比古时候的好，更利于他们创作出的作品，所以，字画的质量上去了，价值，自然也就跟着上去了，升值空间肯定是有的，就像当代的启功，范曾等。现代的艺术创作者，比古代的人，物质生活更，自然也就有了更多的时间跟经历进行创作，所以，随着时间的推移，现代人，在创作时间上面会超过古人，创作作品也有是有可能超过古代人的。所以说，现在社会的发展，人们的技艺虽然不能完全跟古代人所媲美，不过，创作时间跟创作工具也能弥补这些方面的不足，作品日后能升值也是一种必然趋势。
Modern people, although the level of creation is not as high as the ancients, but the creative tools, are better than ancient times, more conducive to their creation of quality works, so, the quality of calligraphy and painting, value, naturally followed, the appreciation of space is certainly there, like contemporary Qigong, Fan Zeng and so on. Modern artists, than the ancient people, the material life is better, naturally there will be more time and experience to create, so as time goes on, modern people, in the creative time will be more than the ancients, creative works may also be more than the ancients. Therefore, with the development of society, people's skills can not be completely comparable to the ancients, but creative time and creative tools can also make up for these shortcomings, works can appreciate in the future is also an inevitable trend.