什么是金银错，值不值钱

金银错工艺早始见于商周时代的青铜器，主要用在青铜器的各种器皿、车马器具及兵器等实用器物上的装饰图案。其表现手法为在器物表面上绘出精美图案，依图案之形錾出槽沟。将或纯银拉成细丝或压成薄片嵌入图案中，而后打磨平整，抛光磨亮。所以，金银错与金镶玉是不同的。
“金、银”我们都知道，但“错”是什么意思呢？《说文解字》中对“错”字的解释是：“错，金涂也，从金，声”。清代文字训诂学家段玉裁注释说：“错，俗作涂，又作措，谓以金措其上也”。所以，广义一点说，凡是在器物上布置金银图案的，都可以叫金银错。在薄胎器物上镶嵌更是万分危险，开槽略有不慎即可磨漏，打压金丝、金片力度略大，器物易碎裂。在薄胎器皿的口边处内外相同的纹样制作中，要严格把握好纹饰的一致性，不允许有分毫差别，否则器皿在光线的映照下内外图案不一致而且十分混乱。这也是错金银纹饰的一个关键的技术环节，也是代表金银错超凡技术水准的一个重要标志。
一件精美的薄胎金银错嵌宝石玉器是很难制作成功的，制作者须具有玉器加工、金银镶嵌两种高超技艺方能完成。因此，所以在浩瀚的玉器产品中很难见到几件金银错玉器
银错工艺早始见于商周时代的青铜器，主要用在青铜器的各种器皿、车马器具及兵器等实用器物上的装饰图案。其表现手法为在器物表面上绘出精美图案，依图案之形錾出槽沟。将或纯银拉成细丝或压成薄片嵌入图案中，而后打磨平整，抛光磨亮。所以，金银错与金镶玉是不同的。
The Jinyincuo process was first seen in the bronze wares of the Shang and Zhou dynasties. It was mainly used in decorative patterns on various bronze Ware utensils, horses and horses, and weapons. Its performance method is to draw exquisite patterns on the surface of the artifacts, according to the shape of the pattern out of the groove. The pure gold or silver is pulled into filaments or pressed into thin slices and embedded in the pattern, and then polished and polished. Therefore, Jinyincuo and gold inlaid jade are different.
We all know gold and silver, but what does "wrong" mean? The interpretation of the word "wrong" in Shuo Wen Jie Zi is: "Wrong, Jintu also, from gold, sound." Duan Yucai, a literary exegologist in the Qing Dynasty, commented: "Wrong, vulgar, and measures are taken, saying that Jincuo is also on top of it." Therefore, in a broad sense, anyone who arranges gold and silver patterns on artifacts can be called Jinyincuo. It is extremely dangerous to inlay on thin tire utensils. The slot can be inadvertently worn out, and the strength of the gold wire and gold sheet is slightly larger, and the artifacts are easily broken. At the mouth of the thin fetal vessel
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